Created a 16 page commemorative section for the 100th Running of the Virginia Gold Cup
Organized reader submissions, archival images, and new photography from two photo campaigns
Used a custom grid system to unify mixed image sizes, tones, and quality
Balanced ads, stories, and images to keep every spread cohesive and well paced
Incorporated thematic elements like a vintage Gold Cup program to anchor the history
Aligned the design with the October 2024 newspaper redesign while elevating key moments
Delivered a keepsake section that readers held onto and that the board chairman praised
The 100th Running of the Virginia Gold Cup felt like a moment that deserved something special. I was tasked with creating a 16-page commemorative section that would be handed out at the event, not just read, but held onto. We ran two photo campaigns to help fill the pages: one where readers submitted their favorite Gold Cup memories, and another called “Champions of Gold Cup,” where people nominated the horses, jockeys, and behind-the-scenes folks who’ve made a real impact over the years.
It gave us a lot to work with and a lot to organize.
Once all the photos started rolling in, from readers, our horse editor, and the archives, I knew the biggest challenge would be making it all feel cohesive. I had a large variety of images that varied in size and quality, some in black-and-white, some in color. I wanted the layout to honor the history of the event, but still feel fresh and easy to follow.
I used a custom grid system for the photo-heavy pages so nothing felt slapped together. I paid close attention to how the ads and images flowed across the spreads, no two of the same size or tone sitting right next to each other. Some pages didn’t have quite enough content to fill the space, so I pulled in unused or thematic images to help round them out. One of my favorites was a vintage Gold Cup program that ended up fitting perfectly alongside a story about the event’s early history. It was one of those small wins that made the whole thing come together.
This wasn’t just another special section to check off the list. It was going to be handed out at the event, right into the hands of people who live and breathe Gold Cup. I wanted it to feel like something they’d keep, not just flip through once and toss.
That meant treating every spread like it mattered. From pacing the content to curating the images to making sure the layout tied into our October 2024 redesign, I tried to give it the same level of care the event itself was getting. I also wanted it to reflect well on the paper, something that could catch the eye of a first-time reader or even a future subscriber. It was a chance to represent who we are, visually, to a brand-new audience.
The final section felt exactly how I’d hoped, like a true keepsake. It balanced reader-submitted memories with strong photography and history, and it honored both the heritage and energy of Gold Cup.
The layout stayed consistent with our October 2024 redesign, but I pushed the design a little further in places that called for something special. The chairman of the board was thrilled with how it turned out, and the feedback from the event, both from readers and staff, was incredibly positive.
It was a challenge worth taking on, and a piece that reminds me why I love editorial design.
Although this piece was not part of the official pullout section, it became one of my favorite creative moments in the project. As I sorted through hundreds of archival photos submitted from readers and local historical societies, two images caught my attention at different times. Something about them clicked. I realized they could be joined to tell a single story that bridged the event’s past and present.
I pulled both images into Photoshop, rotated and resized them, and carefully stitched them together by hand. The result created a seamless transition from a 1925 black and white race to a 2025 color scene. It captured exactly what this edition celebrated: one hundred years of tradition.
Once the image came together, I chose to turn it into a house ad for the facing page. It served as a visual introduction to the pullout section and helped signal to readers that this issue included a special edition, in case their copy was missing the insert.
This piece reflects the part of my design work that I enjoy most. I can see a connection others might overlook, build something new from separate elements, and bring a concept to life in a way that feels intentional and effortless.