In 2025, our Readers’ Choice campaign set new records across every metric and it wasn’t by accident. I led the charge on creative direction, platform setup, and layout, building a cross-platform campaign that felt both cohesive and community-driven. What followed was a 100%+ spike in nominations, a record-breaking vote count, and a final layout that showcased the best of Fauquier County in print and online.
264,000+ seconds of video views
49% increase in total social reach
106% increase in nominations
34% increase in total votes (240,656 votes cast)
76 social media posts scheduled across platforms
Redesigned the full Readers’ Choice campaign across print, digital, email, and social
Created unified branding that aligned with the newspaper redesign
Managed five stage contest messaging and 76 social assets
Used AI during drafting and mid campaign pivots to refine tone, clarity, and performance
Built and embedded all web graphics, links, and promotional materials
Created a business resource landing page with downloadable ads, social graphics, window signs, and receipt slips
Generated our first Second Street ad package sales through that resource page alone
Analyzed nomination and vote data daily and flagged suspicious patterns
Designed framed certificates, luncheon program, winner slideshow, and full print section
Achieved 8,687 nominations (106%) and 240,656 votes (34%)
The newspaper’s new size and redesigned style called for a fresh approach. In past years, the section used inconsistent fonts, red text, and even script headers or full page title pages. This year, I wanted the section to feel like a true part of the paper, cohesive but still distinct. I used our standard fonts, added champagne headers for contrast, and tested several color options before choosing black for the winner and runner up names to keep everything clean and classic. I collaborated with others to finalize the layout and presentation. One major challenge was fitting all of the content into a new section size while working with fewer images and maintaining our 60% ad to content ratio, all while preserving the pull out format and sense of community.
The project began with artwork for Second Street. I kept the branding consistent with previous years to maintain recognition and trust. I managed category accuracy, wrote blurbs for all five contest phases, and designed web graphics for Coming Soon, Nominations, Voting, Thank You, and Results. I also created promotional graphics for our main website.
I developed a five part email campaign with tailored messages for each stage and wrote a fraud policy for the official rules. Once the contest launched, I embedded it into our site, linked to prior year results, and created resources for businesses. I built a small landing page where local businesses could download pre made promotional materials, including social media graphics, receipt slips, window signs, and table tents. I added an advertising contact line as well. This was what led to our first Second Street ad package sales. Three businesses purchased bundled placements that included digital, print, and email ads without any direct outreach from the advertising staff.
I designed six pages of nomination, voting, and winner package sales flyers. I monitored submissions daily, checked for accuracy, watched for irregular vote patterns, and used AI to speed up data comparison tasks. I flagged several questionable voting patterns, most of which turned out to be intense coordinated efforts instead of bots.
After the winners were confirmed, I designed the framed certificates, coordinated the winner photo shoot and luncheon, created the luncheon program, and built a slideshow featuring winners, runner ups, and sponsors. I handled pagination and ad production for the entire print section and kept the visual language consistent across print, digital, email, and social.
Workflow:
I used generative AI throughout the project to support early idea development for social posts, contest blurbs, and parts of the five stage email campaign. I wrote the initial direction, then asked the AI for variations in tone, length, and clarity. I reviewed everything carefully and rewrote the final copy myself so the messaging matched our voice and contest rules.
As the campaign unfolded, I used AI to help diagnose why some posts were underperforming. I compared timing, tone, and format, then asked for alternative versions and adjusted our approach. This helped me pivot quickly and keep engagement steady across the full schedule of 76 branded posts.
Brand and Rights Compliance:
All final wording was written or rewritten by me. No copyrighted text or outside creative assets were used. AI drafts were used only as a starting point for refinement.
Impact:
Using AI during the early drafting phase helped me move through a heavy creative schedule more quickly while keeping the messaging cohesive. The campaign received 8,687 nominations, a 106% increase from the prior year. It reached 240,656 votes, which was a 34% increase, and saw a reach increase of about 49%.
I wanted the section to feel rooted in the redesign while still celebrating the people who make this county unique. That meant prioritizing clarity and community storytelling rather than flash. For social media, I built a campaign using insights from the prior year’s analytics, including best times and formats, and adjusted for reach, frequency, and tone. Every decision, from layout to language, aimed to make the campaign friendly, engaging, and easy to follow.
The 2025 campaign broke records in every category. We saw a 106% increase in nominations and a 34% increase in votes, with a total of 240,656 votes and 8,687 nominations cast. Social media engagement grew significantly, with 76 branded posts driving a 49% increase in reach and over 264,000 seconds of video viewed.
The internal response was just as strong. Jon Wile, VP of Design at ACBJ, wrote, “THIS LOOKS AWESOME.” Our leadership team and advertisers were thrilled. Visually and strategically, the section felt like the right next step, an evolution of our redesign and a campaign that reflected the energy of our community.
This one practically designed itself. I came across the image while searching Adobe Stock, and it was a perfect match for The Dog Spa’s playful logo. Same tub color. Same bubbly feel. I extended the tile background to fit the ad size and added custom bath bubbles behind the text to bring in a little extra fun. The paw prints across the front of the tub might be my favorite part.
Everything about this layout just clicked. It’s a lighthearted thank you to the community for naming The Dog Spa Best Dog Groomer two years in a row. Wet noses, wagging tails, and a business that puts love into every sudsy snout.
I’ve designed many ads for 4J’s, and while the formula often stays the same - brewery in the background, green overlay, some text, a beer - this one needed something that celebrated their second win.
I grabbed images of two of their beers from their website and used AI to generate a toast, symbolizing two years of being voted Best Local Brewery. The background uses a gradient that shifts from amber to green, blending the color of the beer with the tone of their outdoor venue. It’s a subtle nod to both the product and the place.
What really makes this ad sing is how far it came from where it started. We tested so many versions - colors that felt off, overlays that clashed - until this one finally came together. It feels like a cheers to the community that put them on top.
I’ve worked on ads for Studio Luxe for years, so I wanted this one to stand out. I started by researching current fashion retail ad trends and noticed a visual technique that really caught my eye: breaking the image into columns to highlight texture, shape, and color in a fresh way.
I ran with the idea, using two featured dresses and clean cuts to give the ad a sharp, modern edge. I paired the bold "THANK YOU" typography with generous white space to let the visuals breathe while still delivering a strong message of gratitude and celebration.
This layout kept the focus on what matters most: the dresses, the customer appreciation, and the Readers’ Choice win. All without adding unnecessary noise.
When I visited their website, I couldn’t find a single image that truly showed off their burgers. Nothing did justice to what had just been voted Best Burger in the county, so I decided to go get the shot myself.
I dropped by the restaurant and explained what I was after: a tall, juicy, camera-ready burger that said “we won” without needing the words. The bartender, who also happened to win Best Bartender, helped me brainstorm. Together we picked the right burger, made sure it was stacked perfectly, and added a cold beer to round out the scene.
The cook nailed it. The burger looked incredible, and the bartender poured a perfect pint. I staged the photo in front of their drink board, making sure to include their logo tee in the background. The result felt authentic, celebratory, and 100% Cast Iron.
The original ad submitted by the dance studio was overwhelmed with bright pink, had a cluttered background, and lacked visual hierarchy. It felt loud, busy, and hard to read. The studio told us we could redesign it if we wanted, so I took the opportunity.
I visited their website and found a charming photo of a young dancer, the same girl from their original ad. That image sparked the idea to use gray as the main background color. It gave the pink from their logo room to shine without overpowering the rest of the layout. I reorganized the copy to improve flow, established a clear visual hierarchy, and highlighted the coupon offer with a proper call to action.
The result was an ad that felt balanced, modern, and on brand, while still playful enough to match the spirit of a dance studio.
WeirdDoughs won for Best New Business and Best Breakfast, so we knew their ad had to be something playful and memorable. I was suddenly struck with the idea to photograph one of their bagels in front of the Warrenton courthouse - a local landmark that would be instantly recognizable.
Armed with my cell phone and an intern, we ran up the street only to discover they were sold out of bagels. Luckily, the owner let us borrow a display bagel from their bagel wall. We took turns dodging traffic, apologizing to strangers, and snapping photos in the middle of the street.
After many blurry shots and one too many honks, the camera finally focused on the bagel, not the background - and we had our winner. When we returned, the shop was closed, so we slid the bagel through the mail slot. For some reason, that felt like the perfect ending to a very WeirdDoughs kind of day.
The ad was never used, but I love the layout and the story behind it. Sometimes, the process is the best part.